Wednesday, February 28, 2007

Glass Blowing Weather

Just found a photo of something we blew in December of 06 that I had meant to post but didn't. I really like the pink and black color combination. (We've sold 2 of the "Sea LIfe" sets in that color scheme.) It has the fishnet pattern on it. We were pleased with how it turned out.

Well, Micah and I started tweaking the studio on Wednesday. What that means is thowing a bunch of junk away and trying to declutter the studio. I had ordered a new optic mold and got it in. It is the Jim Moore stainless steel and aluminum mold that has interchangeable ribs or fins. ( ) (scroll down until you see the 5th picture. It is the "Detachable Fin Mold") I eagerly look forword to using it. I recently ordered hundreds of dollars of color from Olympic Color Rods and it came in last week. I believe I now have about 80 different colors of rods and about 96 different jars of frit. I have been getting all the new stuff labeled and organized and also updating my frit jar system the last week or two. I was using glass milk bottles and glass "fuse" drink bottles. Glass bottles are really cool to put my frit in, but the bottles weren't really big enough and the mouths of the bottles weren't really big enough to make pouring the frit back into the bottle easy when I was cleaning up. Also, a huge reason to make the switch to large mouth plastic jars was I could only imagine what I would feel like if they dopped to the concrete floor. So, cool or not, plastic it is. Now I can sleep at night.

Question to glassblowers: What size/s frit do you like to use the most and why?

The weather was perfect today for blowing glass. Did we blow glass? No, my furnace is off. I certainly have the glass blowing itch. I will prob. turn on the furnace in about 3 or 4 weeks. Micah is healing up nicely. Thanks again to all who have called, written, and come by to express your concern. It means alot.

I may have to take some photos of all the color that I have and post them. I just like going out to the studio and looking at all the jars full (some 1/2 full or so) of color. It brings inspiration.

We are going to try to do some welding and other little projects while the furnace is off. It feels kind of good knowing a steady stream of $10 bills are not flying out the window 24 hours a day while the furnace if off. I can actually go do something and sort of relax when the furnace if shut down. Having said that I really miss blowing glass and can't wait to start again.

Did I mention that in December of 2006 that I was the first one to sign up for a 3 day workshop given by Dante Marioni ( ) and Janusz Pozniak ( ) at a pre Glass Art Society Conference in June of 07 in Pittsburgh? Man, am I excited about that! I'm even a little intimidated about that. I am told there will only be 10 or 12 in the workshop. Class will be from 9 in the morning untill 10 at night with an hour break at 5 - 6. I am really looking forward to learning alot! I hope Dante and Janusz are patient, kind, persons with the ability to bring the best out of people! I intend on my best coming out.

Linda and I went to Chicago about 1 1/2 months ago and went to the Marx-Saunders Gallery (Mr. Saunders was a really nice guy) and saw some of Dante's work in person for the first time. Amazing!
Warning!! Novice's opinion, WARNING!!
As beautiful as Chihuly's work is... and I DO think it is beautiful, I believe that not everyone that could do Chihuly type of work could do what Dante does. Anybody that could do what Dante does could easily do what Chihuly does. The technical precision is extraordinary!
(Novice's opinion about famous glass is over)
We saw Lino Tagliapietra's work also for the first time. ( ) Magnificient!! I think the least expensive piece of Dante's was about $17,000.00 and the least expensive piece of Lino's was about $33,000.00 up to $50,000.00. FOR 1 (COUNT IT) ONE PIECE OF GLASS!!! We also saw some pretty neat stuff from Stephen Powell. ( ) I can't wait to go again and take Micah with me and show him. Chicago is a pretty cool place to visit.


Gnat of Glass said...

Holly shit. Hey can you call them and ask if they have and open spot. I think I could make that class and stay at a friends up there.

How cool would that be!


ps.Talc for crackles and putting powder down in the lines. Great for sculpture on the outside gives it that “been in the dirt under a grave” look.

00 – for good clean lines on optic twists and does not clump like the talc.

0 – for the same at 00 just tends to give you more color in the middle than on the lines.

1 – Great for mixes for 3 colors or more for anything small.

2/3 – bigger stuff where you don’t want it to blow out.

4 – The cunky stuff! Big spun out bowls with a white in the middle to get the Dale look from before he did the venitians. You know deep red on the inside, light color on the outside and a thick lip wrap.

Bella Forte Glass Studio said...

I think the class is full by now but you can call Lindsay @1-412-365-2145 x201 and ask just to be sure. They have some other workshops also.

Bella Forte Glass Studio said...


Thanks for the info on the frit.

Gnat of Glass said...

Yea I called and got put on the waiting list. It is a little bit of a pipe dream at this point to get in that class but I will be a GAS this year as I have a place to stay with frinds.

Either way we should plan on a drink and a collective gasping at all the things we can't do.

I am sure you knew all that about the frits I was just kind of doing a brain drump of what I use them for in a actually made me want to order some more Gaffer Cameleon Talc...what a fun color. It is like a robins egg blue that if you heat right transitions into a green.

Anyway, off to up the shop I want to see some more pictures. Also, that color collection you have going is to die for.....I hope my shop looks something like that one I get done.